Freelance

I'm a director of photography first. I light it, frame it, and shoot it myself, then carry it through the edit, motion graphics, sound, and finish. You get one person who owns the whole thing, from the first conversation to the final file, instead of coordinating a shooter, an editor, and a motion designer. Since late 2025 we've worked with brands from Alaska to Delaware, from nonprofits and B2B companies to large manufacturers.
Most of what we make has one job: convince someone to sign up. A pharmacist joining an association. A family touring a school. A guest booking a week they'll remember for twenty years.

I run a full mobile studio: cinema cameras, lighting, audio, and backdrops that set up anywhere. That could be a conference room, a clinic, a manufacturing floor, a lodge, or the side of a river. Interviews look and sound like they were shot in a studio because they were, even when the studio is your break room.

• Cinema-quality interviews shot on the Canon R6 Mark II, with a full lighting kit (softboxes, flags, and backdrops) that makes any room look intentional
• Broadcast-clean audio with lavs, boom, and a dedicated recorder, so every word is captured twice
• A teleprompter on set, so your CEO, director, or spokesperson can deliver a script naturally without memorizing it
• Multi-camera setups for events, panels, and conventions
• Run-and-gun documentary and b-roll in the field, in any Alaska weather